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Varaaz Arts — Stories from the Studio

When the Elements and the Senses Meet — A Painting Born from Ancient Wisdom

By Varalakshmi Bharanidharan  |  Mandala Artist & Art Therapist  |  May 2026

"Prakṛteḥ pañcatvaṁ yataḥ tatvayogād, pañcendriyāṇi saṁyujya saṁsthitaṁ |
Ātmarakṣāṁ pradadāti saṁyukte, nītisaṁyukte sukhamānandayukte ||"

"When the five elements in nature unite in perfect harmony, connecting to the five senses within, they bestow self-protection in this union. Living with awareness and balance, it brings about a life of meaningful tranquility and joy."

There are paintings I create because I want to make something beautiful.

And then there are paintings that arrive because something needed to be said — something ancient, something that already existed long before I picked up a brush — and it simply chose this form to speak through.

Elements and Senses Conjunction is the second kind.

AVAILABLE Varalakshmi Bharanidharan with Elements and Senses Conjunction — Conceptual Mandala at exhibition, Varaaz Arts

Elements and Senses Conjunction — 32 x 32 inches, Acrylic and Marker

What This Painting Is About

We are not separate from nature. We are made of it.

The five elements — earth, water, fire, air, and space — are not outside us. They are the very foundation of what we are. Ancient wisdom has always known this. But we forget. We move through our days disconnected from the ground beneath us, from the breath inside us, from the space that holds us.

This painting is a visual reminder of something we already know but rarely live.

At the centre of the painting are the five elements — the source, the foundation, the ground of all universal energy. Around them sits the inner pentagon, representing our five senses. And around that, the outer pentagon — the self that is protected when the two are in alignment. The concentric circles in blue hold it all together — calm, expansive, whole.

When the elements and the senses work in conjunction — with full awareness, not rushing, not numbing, not overriding what the body and spirit are telling us — something remarkable happens. Life becomes meaningful. The nervous system settles. Joy becomes possible not as an achievement but as a natural state.

Why I Painted This

I have sat with many people — in therapy sessions, in workshops, in quiet one-on-one conversations — who describe the same feeling in different words.

"I feel scattered. I don't know why I'm exhausted. I'm doing everything right but nothing feels right."

What I have observed, over and over, is that disconnection — from nature, from the body, from the present moment — sits at the root of so much of what we carry.

This painting came from that observation. I wanted to make the ancient teaching visible. Not as text in a scripture, but as something you could look at and feel — the geometry of balance, the structure of wholeness.

What Every Element Means

The Five Elements at the Centre

Earth, water, fire, air, and space — the Panchabhuta. These are not just physical forces. They are the fundamental energies from which all living beings are formed. The centre of this painting holds them as the origin point — the ground from which everything else grows.

The Inner Pentagon — Our Five Senses

Sight, sound, smell, taste, touch — the five senses are how we receive the world. The inner pentagon represents them working in harmony. When we live with awareness, our senses become bridges — between the outer world and our inner state — rather than distractions.

The Outer Pentagon — The Protected Self

When the elements and senses are in balance, the ancient verse tells us something profound happens: the self is protected. Not from the world, but within it. The outer pentagon in this painting is that protected state — steady, whole, and at peace.

The Concentric Circles in Blue

The blue circles that hold the entire composition are the field of calm that arises when balance is found. Blue in sacred geometry carries the qualities of expansion, depth, and stillness. The circles are not a boundary — they are a breathing space.

The Geometry Was Decided First

The colour palette came from the earth itself — warm terracotta and ochre at the core, deep blue holding the outer field. But the pentagons came first. They are precise, deliberate. The circles breathe.

It is 32 x 32 inches, painted in Acrylic and Marker, and it took weeks to get the geometry exactly right — because this is a painting where the structure is the meaning. Every line is intentional. Every layer speaks.

The Philosophy This Painting Carries

I believe that when we lose our connection to the elements — when we live entirely indoors, entirely in our heads, entirely in screens and schedules — we lose something essential. Not something dramatic. Something quiet. The ability to simply be present in our own body, in our own life.

Sacred Geometry has always been a language for this relationship. The pentagon, the circle, the concentric rings — these are not decorative choices. They are a map. A map of how wholeness works, drawn in a form the eye can follow and the nervous system can respond to.

When you sit with this painting, your eye naturally moves inward — from the outer circles toward the elements at the centre. That movement mirrors the movement we are invited to make in life: from surface to depth, from noise to stillness, from doing to being.

What Happens When You Sit With It

I have noticed that people stand in front of this painting for longer than they expect to.

Not because it is complex — but because something in the geometry lands quietly. The eye follows the layers inward, from the outer self toward the elemental centre, and somewhere in that movement the mind does something it rarely gets to do.

It rests.

That is the gift of Sacred Geometry. Not decoration. Not pattern for its own sake. But structure that mirrors the structure already inside us — and in that recognition, something relaxes.

This Painting Is Available

Elements and Senses Conjunction is part of my Conceptual Mandala series and is currently available.

If this painting speaks to you — if you want to live with this reminder on your wall, in your home, in your space — I would love for it to find the right place.

"Where Sacred Geometry meets Art Therapy, the mind finds balance and the soul remembers itself." — Varalakshmi Bharanidharan, Varaaz Arts

Enquire About This Painting

Each painting Varalakshmi creates is deeply personal — rooted in sacred geometry, ancient verse, and philosophical intention. If you are drawn to this work, she would love to hear from you.

Enquire About Elements and Senses Conjunction

This 32 x 32 inch Conceptual Mandala painting is available. Reach out to discuss pricing, shipping, and how it can find its place in your home.

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Varalakshmi Bharanidharan is a Mandala Artist, Art Therapist, and Mandala Researcher from Chennai. She holds a Wonder Book of Record for India's largest hand-drawn Sacred Geometry Mandala and is a certified Art Therapist and Art Counsellor from California State University (ICPEM). She has received the Rotary Dronacharya Award 2025 for excellence in teaching and mentoring. She teaches through Varaaz Arts — Experience Your Mandala.

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